By Ben Knights
The topic of this booklet is the crossover among serious learn and inventive writing. 'Active analyzing' is a dependent strategy of writing actions utilizing imitation, edition and experimentation. via sensible composition innovations akin to 'transformational writing', 're-writing' or 'translation', scholars can use writing actions to strengthen their serious mind's eye. This ebook bridges the distance among theories of studying and Literary reviews in larger schooling. atmosphere the argument in an ancient and theoretical context, it outlines the significance of writing as a medium of studying and argues for its usefulness in helping English scholars' knowing of theoretical in addition to literary and cultural texts. The authors supply a reflective account of training and review tools utilizing writing actions and significant pondering ideas and the varieties of studying they advertise. within the final part, they discover the connections with different kinds of writing perform in similar disciplines and argue for the position of transformational writing in selling self reliant studying. Appendices offer examples of the diversity of actions that may be used and an indicative checklist of literary examples.
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Additional resources for Active Reading: Transformative Writing in Literary Studies
Practice in the verbal arts is valuable not only for its own sake, but because it helps students appreciate the achievement of writers of the past and take an informed interest in contemporary writing. It provides an intimate and practical insight into how language works, so acting as the ideal bridge between literary and linguistic concerns. Modern literary theory, too, is most easily understood by students who have made their own raids on the inarticulate. During its short life, the Verbal Arts Association brought together in conferences teachers from both secondary and tertiary sectors with practising poets and writers.
Nor should it then be necessary . . simply to tell them that texts are also to some extent explainable and even predictable as socio-historical constructs, that texts . . 'both reveal and attempt to conceal the site of their own inner contradictions .. / and so on. Again, these are all insights which if properly internalized . . can be very useful indeed. But again, as merely ritual gestures, the dutifully delivered antiphonal responses to the revised liturgy of a new critical priesthood, they are worse than useless.
For just as the great artists, from Homer and Aeschylus, down to Shakespeare and Keats, did not go directly to life for their subject-matter, but sought for it in myth, and legend, and ancient tale, so the critic deals with materials that others have, as it were, purified for him, and to which imaginative form and colour have been already added. Nay, more, I would say that the highest Criticism, being the purest form of personal impression, is in its way more creative than creation, as it has least reference to any standard external to itself, and is, in fact, its own reason for existing, and, as the Greeks would put it, in itself, and to itself, an end.